Intersecting Art and Technology in Practice : Techne/Technique/Technology book cover
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Intersecting Art and Technology in Practice
Techne/Technique/Technology





ISBN 9780367874124
Published December 10, 2019 by Routledge
222 Pages

 
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Book Description

This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.

Table of Contents

Foreword





Ruth Catlow and Marc Garrett





Introduction



Camille Baker and Kate Sicchio



Theme 1: Artistic process/challenges



1. Intuition and Creative Process Methodologies in Digital Performance



Camille Baker



2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice



Georg Hobmeier



3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice



Lorna Moore



4. Making Speculative Technologies



Kristina Anderson



5. Construction of processes to live audiovisual performance



Ana Carvalho



6. NO PLACE: Presence, Performance and Virtuality



Kate Genevieve



7. Imagination, Art and Reality



Ben Bogart



Theme 2: Collaborations



8. Cultivating permaCultural resilience (pCr) : The permaCultural dérive as an Itinerant’s approach to a techne of becoming



Anita McKoewn



9. The Immanent Researcher



Kate Sicchio



10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity



Jeannette Ginslov



11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists



Pia Tikka



12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition



Max Schleser and Antony Nevin



Theme 3: Shared Knowledge:



13. Sharing Knowledge through Networked Collaboration



Helen Varley Jamieson



14. Methodologies of Risk and Experimental Prototyping



Nancy Mauro-Flude



15. Behind the Idea and meta models for creativity



Alison Williams



16. Mass Colla

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Editor(s)

Biography

Camille C Baker is a Reader in the School of Communication Design, University for the Creative Arts, Epsom, UK. She is a media artist/curator/Reader in digital media with recent work in participatory mobile and sensor performance using wearable technologies, now exploring creative coding and electronic development for smart-fashion projects. She explores new mechanisms to elicit engaging experiences using evolving approaches to participatory performance. Her website is camillebaker.me.





Kate Sicchio is Visiting Assistant Professor, Integrated Digital Media, New York University, USA. She works at the interface of technology and choreography. Her work includes performances, installations, web and video projects. She has presented work internationally across the US, Canada, Germany, Australia, Belgium and the UK at venues such as the V&A (London), EU Parliament (Brussels), Banff New Media Institute (Banff) and Arnolfini Art Centre (Bristol UK). Her website is http://www.sicchio.com.